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At the origin, that work was atmospheric and exploited some inharmonic sonorities. Then, I added some percussions tracks from another composition made on FTII, duplicated on three tracks with dynamic filters. This kind of music is typical in my work, a slow progression, an overloaded rise which is forwarded to the calm after the storm. Some voices and acoustic instruments are also used on that track, piano, wooden flute and didjeridoo.
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